texts

Ana Hoffner ex- Prvulovic* films, installations, performances and texts offer an aesthetic and political redefinition of gendered relations – especially in the realms of memory and identity politics at work in recent history and in the frame of contemporary visual production. Specifically, she focuses in her performative investigations on moments of queerness and non-alignment in both colonial and fascist regimes of power. 

The publication documents for the first time the work of the artist to date, in particular her* most important previous projects are translated into book format: Freud Film, Non-aligned relatives, The Bacha Posh Project, Private View and Active Intolerance.

In Freud Film, Ana Hoffner ex-Prvulovic* deals with the unconscious within the development of Freud’s psychoanalytical theory and tackles the racialized and heteropatriarchal dimension of its concept of “alterity”, which is foundational to the constitution of a modern “European identity” – based, actually, on the exclusion of others. Non-alignment as a geopolitical reality and as a concept – a political and cultural refusal to align to certain normative models and behaviors – recurs often in the artist’s work. Non-aligned Relatives is a work constellation in which she* investigates diverse aspects of non-alignment, on political, cultural, and psychoanalytical levels, especially also linking it to formations of queer kinship, a strategy which continues in The Bacha Posh Project.

The series Private View tackles investment in art institutions from the weapons industry, hedgefund companies, and investors of Nazi heritage, thus, in a self-reflexive movement, questioning the capacity of the art field itself to welcome, support, and stand for minoritarian alternatives and non-aligned thought. In Active Intolerance, Ana Hoffner ex-Prvulovic*’s research tackles diverse forms of exploitation of labor in enclosed environments, namely the factory and the prison. The artist once again investigates the liberal and capitalist political project and its relentless construction of, on the one hand, working, consuming, complying, and reproducing bodies and, on the other, of those, who are to be exploited.

Publisher: Sternberg Press/Kunsthalle Wien
Texts by Anne Faucheret, Flavia Matei, Sónia Melo, Sara Reisman, Marlène Rigler
Design by Till Gathmann
24×30 cm,
120 pages
88 color and 121 b/w ill., softcover
2023

ISBN: ISBN 978-1-915609-11-3

Cover_Ana_Queerness_jpg.jpg

The Queerness of Memory proposes ways of remembering a past that cannot be clearly seen, one which is loaded with affective confusion, historical disorientation and the desire to return to that which still hurts. Ana Hoffner's series of art works and writings that are assembled in this book explore the politics of trauma and post '89 memory through the lens of queerness.
 
How to give a post-memorial account based on non-biological transnational kinship relations? How to interrogate images of war from a distance? The author challenges the notions that fantasy and memory are exclusively imagined or remembered scenarios: facing the trauma of others, when it is not directly experienced but transferred through documents, reports or narratives, requires further processes of dis/identification and performative practices like retelling, rereading, restaging, looking or imagining. By experimenting with techniques that stem from the reservoir of unconscious visual impressions, the book opens up questions about the embodied structure of memory, refusing the supposed dichotomy of war and peace time.

Publisher: b_books
152 pages
14cm × 24cm
Format: Paperback
2018

ISBN: 9783942214261

 

Contributions for Catalogues and Books

Verbliebene Zugänge, verbliebene Welten. In: Yane Calovski. Residual Entries, Berlin: Zilberman 2024.

Hexenküche (the witch rarely appears in the history of the proletariat). In: Zeitschrift für Geschlechterforschung und visuelle Kultur. Ed.: Ines Kleesattel, Nr. 71, September 2022, (with Angela Anderson), p.24 - 40

With and against Contemporaries - Anna Daucikova’s 33 Scenes. In: Notions of Temporalities in Artistic Practice. Ed.: Anamarija Batista, Berlin: De Gruyter 2022.

The Time in Time of Hospitality. In: They’ll Never Walk Alone. The Life and Afterlife of Gastarbeiters. Ed.: Boris Buden, Lina Dokuzovic, Vienna: transversal texts 2018, p. 161 - 179

Transferred Memories - Embodied Documents/The Queer Family Album. In: Destination Vienna ebook, http://kunsthallewien.at/kataloge/Destination-Wien-2015

Kunst-basierte Forschung und methodischer Störsinn. In: Critical Studies, Kultur- und Sozialtheorie im Kunstfeld. Ed.: Elke Gaugele & Jens Kastner, Wiesbaden: Springer VS Verlag für Sozialwissenschaften 2015 (with Anette Baldauf)

Methodischer Störsinn. In: Künstlerische Forschung. Ein Handbuch. Ed.: Jens Badura, Selma Dubach, Anke Haarmann et al. Zürich: Diaphanes 2015. (with Anette Baldauf), p. 81 - 84

Queer Archive and Queer Memory: Chronopolitical Reflections on the Family Album. In: Not Now! Now! Chronopolitics, Art & Research, Ed.: Renate Lorenz, Berlin: Sternberg Press 2014, p. 50 - 55

After the Transformation / Future Anterior - Illustrations of War. In: ... Was ist Kunst? ... Resuming Fragmented Histories, Ed.: Sandro Droschl, Nürnberg: Verlag für Moderne Kunst 2014, p. 170 - 175

Examples and Case Studies of Artistic Research: Queer Memory - Historicity, Neglect and the Embodiment of Trauma. In: Share, Handbook for Artistic Research Education, Ed.: Mick Wilson & Schelte van Ruiten, Amsterdam: Share Network 2013, p. 78 - 80

Was ist Kunst - a Product of Circumstances?. In: Private Investigations - Paths of Critical Knowledge Production in Contemporary Art, Ed.: Andrei Siclodi, Innsbruck: Büchs’n’Books - Art and Knowledge Production in Context, Volume 3, 2011, p. 76 - 87

Contributions for Journals and Magazines

Collecting Out of/as Solidarity. Sabeth Buchmann and Ana Hoffner ex-Prvulovic* on “No Feeling is Final. The Skopje Solidarity Collection” at the Kunsthalle Wien in: Texte zur Kunst, Issue No. 131 / September 2023 "Reviews"

Wo Kunst Geschehen kann - Die frühen Jahre des CalArts. In: springerin, issue 4, winter 2020.

VALIE EXPORT: Collection Care / Hommage à VALIE EXPORT. In: Camera Austria International, issue 152, 2020.

The Availability of the East. A Conversation with Sónia Melo and Flavia Matei, conducted by Ana Hoffner ex-Prvulovic*. In: thirsty for words, Kunsthalle Vienna, 2020.

Jens Kastner: Kunst, Kampf und Kollektivität Die Bewegung Los Grupos im Mexiko der 1970er-Jahre. In: springerin, issue 3, fall 2020.

Hans Haacke - All Connected. In: springerin, issue 2, spring 2020.

Non-aligned Extinctions: Slavery, Neo-Orientalism, and Queerness. In: e-flux Journal #97, February 2019, https://www.e-flux.com/journal/97/252398/non-aligned-extinctions-slavery-neo-orientalism-and-queerness/

Excerps from ‘The Queerness of Memory’. In: The Large Glass. Journal of Contemporary Art, Culture and Theory, No. 25/26, 2018, p. 118 - 128

Queer Look, Future Anterior and the Image of War. In: Analyze. Journal of Gender and Feminist Studies, Issue No. 8/ 2017, p. 65 - 88 (peer reviewed)

The Time in Time of Hospitality. In: Remembering Gastarbeiters. Labour and Migration in the Age of Neoliberalism, transversal journal, 07/18, https://transversal.at/transversal/0718/hoffner/en

Radical Women: Latin American Art, 1960 - 1985. In: springerin, issue 4, autumn 2018, p. 65 - 67

“...Wissensproduktion als Möglichkeiten des Eingreifens zu verstehen...”. Kunst, Forschung, Politik im Gespräch mit Ana Hoffner und Nicole Alecu de Flers. In: Bildpunkt - Zeitschrift der IG Bildende Kunst, spring 2018, p. 10 - 12

(Post)koloniale Sexualitäten, queere Aktionen - Assemblagen visueller und diskursiver (Wissens)Produktionen im Prozess der Europäisierung. http://eipcp.net/projects/creatingworlds/hoffner/de

SOS Queer - Die ‘Einheit Europas’ wird durch einen sexuellen Rettungsdiskurs gestärkt. In: an.schläge - Das feministische Magazin, Oktober 2010, p. 20 - 21